Sofia Karim’s Memories of Keraniganj Jail, 2019 and Diptychs, 2023 are featured in Seeing through Stone. The artist discusses both artworks below.
Sofia Karim has practiced architecture for over twenty years at studios including Norman Foster, London and Peter Eisenman, New York. Her practice combines architecture, visual art, and activism. The incarceration of her uncle (photographer and activist Shahidul Alam) led to the development of her theories on an ‘Architecture of Disappearance.’ and her explorations of architecture as a language of struggle and resistance. Her activism focuses on human rights across Bangladesh and India, where she campaigns for the release of imprisoned artists and political prisoners. She is the founder of Turbine Bagh, a joint artists’ movement against fascism and authoritarianism and platform for political art and activism.
She was a finalist for the Jameel Prize: Poetry to Politics, in 2021. She has exhibited at galleries and museums including Tate Modern, London; The Victoria and Albert Museum, London; Rubin Museum of Art, New York; Wrightwood 659, Chicago; and as part of Documenta 15, Steidl/ Kunsthaus Göttingen. Her work has been presented at Harvard University and Cambridge University, and featured in publications including The Observer, The New York Times, The Financial Times, The Architectural Review, The Art Newspaper, and the British Journal of Photography. She has appeared on BBC World News, Channel 4 News, Al Jazeera, and Sky News. She lectures on architecture and is a visiting critic at the Westminster School of Architecture.