“Paso Seguro”: Demanding Safe Passage For All
City on a Hill Press Bryce Chen, March 17, 2025 On a field of green grass overlooking Monterey Bay, around 150 people sat with their...
The IAS galleries are closed for installation. We will open our next exhibition on May 23, 2025.
Join us at UC Santa Cruz Communications Studio C for a screening of award-winning feature documentary film The Strike, which tells the story of the people who endured decades of solitary confinement in California’s notorious supermax Pelican Bay State Prison. Against all odds, they launched the largest hunger strike in U.S. history and forced the prison to reduce its use of mass-scale solitary confinement.
Following the film, there will be a panel with the film directors and solitary survivors.
*Parking will be available in Core West. Find more parking information on the TAPS website.
About the Film:
Amidst the redwood trees on the California-Oregon border sits one of the most infamous prisons in US history. Pelican Bay is a labyrinthine construction of solid cement blocks – a supermax prison – opened in 1989 and designed specifically for mass-scale solitary confinement. For decades, it held men alone in tiny cells indefinitely. Then one day in 2013, 30,000 prisoners went on hunger strike.
THE STRIKE weaves together, thread-by-thread, a half century of personal and criminal justice history into a single, compelling narrative around the drama of the 2013 hunger strike to end indefinite isolation. Grounded in testimonies from the hunger strikers themselves, the film details how the protest was conceived from a whisper inside the halls of Pelican Bay to a colossal feat across California prisons. With unprecedented access to state prison officials and never-before-seen footage from inside Pelican Bay, THE STRIKE reveals the panic that gripped the highest echelons of state government.
Told through the stories of the men who bore the brunt of this practice, THE STRIKE goes beyond making a case against solitary confinement; it illuminates the power of organizing and prisoner-led resistance, and in doing so, flips the true-crime genre on its head.