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Artist Talk: Kaili Chun

Digital Arts Research Center (DARC) 407 McHenry Rd, Santa Cruz, California

Kaili Chun is a sculptor and installation artist based in Hawaii. Her works address ideas of containment and exposure, agency and restraint.  Process and materials transform physical spaces into unique environments commenting on contemporary issues in her work.  She often constructs narratives through symbols and objects that address the impact of historical events on the present day.  Organic elements are sometimes included in her pieces, and the changes they undergo during the course of an exhibition metaphorically reference the nature of culture as an evolutionary process.

Free

Pacific Island Worlds: Transpacific Dis/Positions Symposium

Digital Arts Research Center (DARC) 407 McHenry Rd, Santa Cruz, California

The Pacific has been the site of complex human interaction for centuries, forming a dynamic space in which diverse communities are connected through kinship, colonial histories, and diaspora. Interactions between Indigenous groups, explorers, settlers, migrants, and economic and military actors have produced a range of movements and identities that create new social, cultural, and political positions as well as dis-positions.

Free

Future Garden Opening

Digital Arts Research Center (DARC) 407 McHenry Rd, Santa Cruz, California

The Institute of the Arts and Sciences is pleased to announce the opening reception for Future Garden for the Central Coast of California, a major art and science project by Newton Harrison and his late wife and lifelong collaborator Helen Mayer Harrison at the UC Santa Cruz Arboretum and Botanic Garden.

Free

Traction: Art Talk with Angela Melitopoulos

Digital Arts Research Center (DARC) 407 McHenry Rd, Santa Cruz, California

Crossings is an experimental, filmic meditation on the crisis of migration in Greece as it is entangled with the complex realities of the workings of capital and resource extraction.The video installation charts a cartography of places, histories, and memories to situate the current crisis within a longer history of capitalist destruction which, in Crossings poetic rendering, is transmitted violently from body to body and from generation to generation. 

Free